The tempo is Adagio so it moves really slowly, a great thing for novice players. The second movement is in complete contrast to the first. It’s the easiest of the three movements and great for a beginner or intermediate pianist. Like most music of this time period, there is a clear melody and accompaniment assigned to each hand. Its number is K.332, and the first movement is one of the most popular for intermediate piano players. Of all the Mozart piano sonatas one could play, I definitely recommend starting out with the F major sonata. The melodies and application of the ornamentation such as trills and turns are much easier to digest than in Haydn. If you’re just getting started out with Classical era music, then Mozart is a good starting point. Overall it’s a good piece and very similar to the famous Chopin Prelude in E minor.ĥ. To end the polonaise, Chopin returns back to the opening material with some variation including a layered melody in the right hand. The dynamic is much more expressive and less dark and angry sounding like the opening of the piece. It’s a beautiful theme with a tranquil melody, and at this point, the right hand has more of a role over the melody line. The second theme of the polonaise is in A flat major. Because most piano music places the melody in the right hand, some simple practice of playing the right hand silently can help when trying to achieve good balance and tone. The chords in the right hand are also large at times, often playing blocked arpeggios. The right hand has some elements of Beethoven in it with its repetitive chords played in between the left-hand melody. A quick analysis of the melody shows that it moves around the entire scale pattern of C minor, so some preparatory work playing in three flats can help a student studying this piece. Pianists with small hands will want to work on stretching and octave exercises to prepare for it. The melody is actually located in the left hand and written in octaves. It was written in 1838, and as a whole, this entire polonaise moves slowly. Many of the Chopin polonaises are quite difficult for most piano players, however, one of the polonaises that work well for intermediate to advanced students is Op. Almost every pianist plays it at some point in their musical journey, but it helps to have some technical facility first before giving it a spin. This is one of the most beautiful intermediate piano pieces in the list of repertoire. There’s a lot of changes, but the sections are easy to identify visually and by ear. While the piece is not the most technically advanced piano work, it takes some musical maturity to really capture the full essence of it. This lasts for a while before the main A theme returns and the song concludes. Pianists have to play sixteenth notes in arpeggios and other groupings. The C section is where the left hand has the most activity. It takes some coordination because the left hand also has to play a series of blocked triads and chords spanning up to an octave. This is where the pianist has to play some really big chords in the right hand. The tune opens up softly with pianissimo harmonies that pass between the left and right hand.Īfter some variation of the melodies, the song moves to the B section. That’s something to consider as some of the more difficult harmonies have accidentals. The piece is fairly straightforward although it does have it’s difficult moments.Ĭlaire De Lune starts in D flat major, so it has five flats written into the key signature. It’s been featured in film and television as well as modern commercials. Claire De Lune is certainly one of those pieces. It’s always helpful to play a piece of piano music that is familiar to the ear. Below is a breakdown of each piece by Early, Mid, and Late intermediate classifications. I’ve also linked out to videos and sheet music pdf if you want to give these pieces a try. This list contains an interesting selection of classical music pieces that are challenging, but also something pianists can learn with consistent practice. These pieces are a step above easy repertoire, but not too advanced! Most are from level 3 to 6 difficulty levels with a few exceptions. The pieces on this list were chosen with that in mind.
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